When I first began my research on the royal seals of Scotland, I had to repeatedly convince friends and family that I wasn’t studying semi-aquatic marine mammals. Instead, my work focused on wax impressions that might have been attached to documents such as charters. Less cute but, to my mind, incredibly interesting. So, why did I want to study seals? What fascinated me was the way in which a seal was both a practical object, used almost as an alternative to a written signature, and a symbolic object, which could embody the presence of the sealer and assert something about how they wished to be perceived.
In March 1700, the Scots colony of New Caledonia on the Isthmus of Panama was abandoned for the second time. Already overwhelmed by “the Extreamity of famine” the previous year, the colony was finally and forcefully dislodged by the Spanish. Despite the ultimate failure of the colonial project, the Darien scheme – by its very existence – underlined a fundamental contradiction in Iberian colonial doctrines of occupation and highlighted a significant chink in the imperial armour of the “Spanish” Americas.